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Anxiety is the unpleasant feeling of an unrealistic fear. It is a human response to the absurdity of life’s displeasure and its seemingly aimless journey. Such feelings are largely created before choices of consequence, when an individual feels powerless, and where such an action could lead to possible pain.

One of the few actual sketches of Søren Kierkegaard.

The classic example is one philosopher Søren Kierkegaard mentions in his writing, The Concept of Anxiety. Take it that a man is standing alongside a cliff. He looks down and sees the drop below him. He fears the he may fall, but at the same time, he is terrifyingly intrigued. He has an impulse to jump, but he also experiences fear because he knows it would mean his imminent death. Kierkegaard calls this the “dizziness of freedom” — we have the freedom of choice, to make even the deadliest of choices, and this induces existential anxiety and dread. For most people, the fear of the death strays us away from jumping. For those that psychotically lack it, they succumb to their impulses and jump. In the case of the Biblical story of Adam of Eve, anxiety is understood by Kierkegaard as a precursor to sin. God tells Eve not to eat the fruit or she would face death and pain. Through this restriction, Eve is given a choice whether or not to eat the forbidden fruit. The anxiety of the moral decision is captured by her interaction with the serpent which tempts her to eat it — like the cliff, she feels compelled to jump. Kierkegaard, through this story, comes to a conclusion on sin. Sin is always preceded by anxiety. And the first such instance in Genesis, according to old Christian theology, was precluded by anxiety.

Although I take literal interpretations of Biblical texts with a grain of salt, the religious language in Kierkegaard’s writing can be replaced with more secular lingo and still be considered valid. “God” is symbolic of objective morality and sin is the failure to live up to it. Whenever an immoral act is committed, and a grave choice is involved, there is existential anxiety that precedes it. Kierkegaard contends that this anxiety can be mediated through eternal values that transcend the choices we are placed into, since our decisions are subject to the twists and turns of everyday life. He argues we must establish meaning through objective concepts that we should abide by. To explain this, he illustrates an image of a sailor lost at sea.

How, then, shall we face the future? When the sailor is out on the ocean, when everything is changing all around him, when the waves are born and die, he does not stare down into the waves, because they are changing. He looks up at the stars. Why? Because they are faithful; they have the same location now that they had for our ancestors and will have for generations to come. By what means does he conquer the changeable? By the eternal. By the eternal, one can conquer the future, because the eternal is the ground of the future, and therefore through it the future can be fathomed. What, then, is the eternal power in a human being? It is faith. What is the expectancy of faith? Victory-or, as Scripture so earnestly and so movingly teaches us, that all things must serve for good those who love God. [Eighteen Upbuilding Discourse, 19]

The Signal of Distress by Winslow Homer

The Signal of Distress by Winslow Homer

I disagree with Kierkegaard’s final conclusion on faith, because I take it that moral objectivity can be reached without divine inspiration, but his thought process is valid. Through an “eternal” morality, one can guide oneself through all of life’s moral decisions. The closest such axiom that exists in secular thought would be the “Golden Rule” which is derived from empathy: one should not treat others in ways that one would not want to be treated. Moral conclusions should not be based on the arbitrary ebbing and flowing of subjective life. If that was the case, to the common observer, heinous acts of immorality would be considered “moral” in the time period they were committed. Because slavery was at one time considered “moral” by popular standards, did that make it truly ethical? No, because it breaks eternal moral codes that are always true. Regardless of the time period, these principles stand tall and serve as a guide with which to judge decisions made in the past and those yet to be made.

Anxiety, therefore, is a symptom of a lack of existential direction. It is induced when an individual is lost in the random spontaneity of the natural world. Likewise, such anxiety can be mitigated when the individual develops a proper objective view on life. However, there is a minor caveat — the conclusions that the secular explanation gives us through the Golden Rule is one that still lacks proper foresight. Surely, acts of self defense are morally permissible, but how does that fit within the context of the Golden Rule? We know the assailant is committing an immoral act according to this axiom, but the question of self-defense is left unanswered. Therefore, an objective moral code that is derived from secular understanding requires a more nuanced explanation that is all-encompassing. It requires expanding to cover all aspects of an ethical life. It also requires constantly being tweaked using the Golden Rule as an objective starting point. Although not complete, the Golden Rule is the closest estimation of a moral maxim that many of our own decisions can be based around.

Kierkegaard, on the other hand, turns this conclusion on its head and argues that faith brings one to an eternal understanding that would work to subdue the existential anxiety and dread we experience. A morality based on divine command, a list of necessary obligations, is the simplest solution to the problem of objective ethics — the question is, however, from which command on high does one follow and is it ever disputable? I would prefer an objective ethics that is able to be tinkered with until a seemingly perfect code is established. One that is always applicable but subject to minor changes based on enlightened understanding, rather than an absolutist position that is easily exploited by power. Regardless, Kierkegaard is correct in his assertion of the necessity of an all-encompassing life view. It is necessary so that, just like the sailor of the story, one does not get lost in the waves of everyday life itself, which is too oftentimes muddled with subjective preferences and fleeting emotions. And succumbing to such feelings would be a perversion of reason and a squandering of life’s many splendors.

Leo Tolstoy (1828 – 1910)

The Three Questions is a short story by Leo Tolstoy that was published in 1885. It contains a few moral sayings to live by, which we oftentimes just take as a given, but Tolstoy managed to keep you guessing for these answers until the big reveal at the very end.

A king poses three questions to his dear kingdom and is willing to grant a large sum of money for those that can answer them. The questions were simple.

  • What is the right time for every action?
  • Who are the most necessary people? 
  • What is the most important thing to do? 

For each question, however, he received all different kinds of answers.

In reply to the first question, some said that to know the right
time for every action, one must draw up in advance, a table of days,
months and years, and must live strictly according to it. Only
thus, said they, could everything be done at its proper time.
Others declared that it was impossible to decide beforehand the
right time for every action; but that, not letting oneself be
absorbed in idle pastimes, one should always attend to all that was
going on, and then do what was most needful. Others, again, said
that however attentive the King might be to what was going on, it
was impossible for one man to decide correctly the right time for
every action, but that he should have a Council of wise men, who
would help him to fix the proper time for everything.

The answers to the second question were a bit less lettered, but still unconvincing.

Equally various were the answers to the second question. Some said,
the people the King most needed were his councilors; others, the
priests; others, the doctors; while some said the warriors were the the most necessary.

And finally, the last question also received many different answers.

To the third question, as to what was the most important occupation:
some replied that the most important thing in the world was science.
Others said it was skill in warfare; and others, again, that it was
religious worship.

The king was not satisfied with these responses. He decided to consult a hermit who lived in the woods beyond the outskirts of town. The king put on simple clothing and wandered up to the hermit’s house by himself without his usual guards to discover the answers to his three quandaries.

When the King approached, the hermit was digging the ground in front
of his hut. Seeing the King, he greeted him and went on digging.
The hermit was frail and weak, and each time he stuck his spade into
the ground and turned a little earth, he breathed heavily.

The king posed the three questions to the wise hermit, but he received no response other than a recommendation to dig. The king offered his support to the hermit, since he was weak and tired. The hermit thanked him and the king dug. After digging two beds, the hermit suggested the king rest. The king insisted he dig until he was finished and he did so until sunset. After finishing, he posed his same three questions again. The hermit responded with an observation, “here comes someone running, let us see who it is.”

The King turned round, and saw a bearded man come running out of the
wood. The man held his hands pressed against his stomach, and blood
was flowing from under them. When he reached the King, he fell
fainting on the ground moaning feebly. The King and the hermit
unfastened the man’s clothing. There was a large wound in his
stomach. The King washed it as best he could, and bandaged it with
his handkerchief and with a towel the hermit had. But the blood
would not stop flowing, and the King again and again removed the
bandage soaked with warm blood, and washed and re-bandaged the wound.
When at last the blood ceased flowing, the man revived and asked for
something to drink. The King brought fresh water and gave it to
him. Meanwhile the sun had set, and it had become cool. So the
King, with the hermit’s help, carried the wounded man into the hut
and laid him on the bed. Lying on the bed the man closed his eyes
and was quiet; but the King was so tired with his walk and with the
work he had done, that he crouched down on the threshold, and also
fell asleep–so soundly that he slept all through the short summer
night. When he awoke in the morning, it was long before he could
remember where he was, or who was the strange bearded man lying on
the bed and gazing intently at him with shining eyes.

After resting, the man said faintly to the king, “forgive me!” Confused, the king responds, “I do not know you, and I have nothing to forgive you for.” The man explains:

“You do not know me, but I know you. I am that enemy of yours who
swore to revenge himself on you, because you executed his brother
and seized his property. I knew you had gone alone to see the
hermit, and I resolved to kill you on your way back. But the day
passed and you did not return. So I came out from my ambush to find
you, and I came upon your bodyguard, and they recognized me, and
wounded me. I escaped from them, but should have bled to death had
you not dressed my wound. I wished to kill you, and you have saved
my life. Now, if I live, and if you wish it, I will serve you as your
most faithful slave, and will bid my sons do the same. Forgive me!”

The king was thrilled to have made peace with an enemy so easily. In an act of kindness, he then grants the man some servants, his own physician, and promised would restore the property that was formerly taken from him.

After leaving the man, the king walked alongside the porch to find the hermit. Again, he posed the three questions to him longing for an answer — the hermit responds, “you have already been answered!”

“Do you not see,” replied the hermit. “If you had not pitied my
weakness yesterday, and had not dug those beds for me, but had gone
your way, that man would have attacked you, and you would have
repented of not having stayed with me. So the most important time
was when you were digging the beds; and I was the most important
man; and to do me good was your most important business. Afterwards
when that man ran to us, the most important time was when you were
attending to him, for if you had not bound up his wounds he would
have died without having made peace with you. So he was the most
important man, and what you did for him was your most important
business.

It was then the king’s questions were finally answered. The most important time is now, the one which concerns you immediately. The most important person is whoever you are with. And, finally, the most important thing is to do good with who you are with.

And, only then, did the king finally receive three true and honest answers for his questions.

*** 

The Three Questions by Leo Tolstoy

“The Pinch of Poverty” by Thomas Benjamin Kennington

Altruism — the most charitable, the most genial, the most endearing ethic — is promoted in Western society as the pinnacle of what is ‘good.’ Helping others before helping oneself is the crux of the democratic ideology, one that guides us and facilitates a feeling of social and cultural unity that strengthens human relations. It has become so inherent that it lay outside our mere conscious ideology. It has developed to be central to our being, and has thus become an obligatory act in order for one to be seen as a ‘good person.’

I take the golden rule in stride and I cherish it as a moral maxim for proper human relations. However, the Western conception of altruism has reached a disingenuous aura about it that cheapens the whole character of giving. In the First World, and other nations of Christendom, conceptions of ‘proper’ morality are derived from the Judeo-Christian moral tradition. The mantra is one of universal pity and, most importantly, universal love. Friedrich Nietzsche, quite famously, criticized such conceptions of morality in many of his texts for watering down their true meaning. A vindication of the ‘slave morality,’ Nietzsche vehemently opposed the undermining of the strong by the Judeo-Christian tradition of universality, which made man into a flock rather than an independent being. His gripe was, in essence, that if love is universal, one truly loves no one; if pity is universal, it is cheapened and means little. It becomes an obligation, done without question, rather than an honest moral calling.

When child labor was on our own American soil, the suffering was closer to home and easier to empathize with.

Such is the caricature of modern Western ethics, which is well-grounded in this Judeo-Christian moral responsibility. It corresponds love with selflessness, when in retrospect, love is perhaps the most selfish virtue of them all — the longing to deviate attention towards one individual despite all others. Most crucial, however, is the Christian caricature of pity which has ramifications in contemporary ideology most concretely. Take it, for example, the bleeding-heart liberal that so desperately desires to help others — he wishes to help everyone. Moved by the conditions around him, he feels compelled to do something. A noble endeavor, but to what end? Current conceptions of pity, especially towards poverty, tend to take the form of dissociating abstractions rather than a real phenomenon we can touch and feel. The West has done, for the most part, a proper job of exporting poverty to mainly areas outside of their bounds (i.e. the Third World) where production is brutal and dangerous, but is well beyond the public’s immediate consciousness. Perhaps most of us know of the tragedy that is Third World production, but we do truly Know? Can we truly empathize with the unnecessary pain and toil that goes into commodity creation, or do we just accept it while superficially denouncing it? When properly examined, Western pity may, ironically, be a subtle concession to the status quo. In this twisted moral code, poverty can be mitigated by buying a new pair of Toms, ghastly pollution can be solved with a few less plastic bags, and water deprivation can be cured by a conspicuous purchasing of Ethos water. Such is the eternal bliss of the modern consumer — capitalism with a human face, as its called. Sprinkle a little welfare, a friendly face, and a commodity with an ethical cause and you’ve solved the moral crises of production.

This is what leads me to believe that modern pity is, for the most part, one mostly of dissociation and perhaps even utter disillusionment. You donate a few dollars to a charity, to a decent cause, but have you truly alleviated the positions which created the suffering to begin with? Surely, it makes one feel warm, but does it not exasperate the issue rather than cure it? Modern morality should be about bringing to fruit a real call to action rather than a few token good works. I would categorize charitable giving as, fundamentally, such a token good work, one that gives the illusion of actual action. Surely, it is better than no action at all, but it, in essence, creates a temporary solution rather than a concrete one. And so the cyclical nature continues, with the Third World still dependent and the West still ubiquitously benevolent and longing to help. And no progress is made, except for a few dollars being thrown at poverty-stricken families in hopes helping them.

The abstraction of poverty, grief, and suffering is mostly a recent phenomenon and it corresponds with the rise of mass marketing and, more generally, the Internet. The human condition is expected to be moved by a starving African child, but when it presents itself as a commercial while sitting on a couch patiently waiting for the next programming, it comes off as less-then-urgent. It becomes a nonchalant mentioning of a real struggle, to which the American consumer responds likewise — I’ll donate a few dollars here, I’ll do what I can, but I have a family to take care of myself. The issue is that individuals cannot place themselves in that suffering, in that pain, since they are so distanced from it. And here lies the moral dilemma and the reason for the lethargy in modern activism. We see the suffering, but we don’t truly feel it; We see it as an image rather than as a condition. 

More generally, such dissociation is present in other aspects of social justice beside the fight to end world poverty. With the creation of the Internet, although possessing the ability to stimulate politically-charged movements, it has sadly lead to the creation of supposed ‘slactivists’ that lack the vigor to pursue any true cause outside of their immediate bedrooms. These self-congratulatory armchair activists pride themselves on fighting a grave injustice. Signing internet pleas, changing their Facebook profiles to lighten an alleged injustice (as in the Kony 2012 sham), or wearing certain clothing to support something or another — the illusion of actual action is watered down to petty online signatures and nicely-packed slogans that make nifty bumper stickers. If only we had sent Adolf Hitler a few more petitions during the height of Nazi rule he would have relinquished power– what were we thinking?

Rather than abstractions, let us feel real sympathy. Rather than token givings, let us fix the conditions which created the need.  In order to pinpoint true suffering, to actually Know the true hollowness of poverty, we must be fully attuned to all its horror. Oscar Wilde captures this sentiment most eloquently in his beautiful essay, The Soul of a Man under Socialism:

[The majority of people] try to solve the problem of poverty, for instance, by keeping the poor alive; or, in the case of a very advanced school, by amusing the poor.

But this is not a solution: it is an aggravation of the difficulty. The proper aim is to try and reconstruct society on such a basis that poverty will be impossible.

And thus is the crux of the issue — let us question the basis of poverty we see, the ugliness we encounter, and the horror we experience.  Pity is not a cheap spontaneous ordeal; Pity is genuine expression of empathy, one which must precede the drive to solve the impoverished environment that evoked it.

.. hidden from me in my miscellaneous assortment of unfinished notes from last summer.

I. THE NECESSITIES IN FREEDOM  

The prerequisites of liberty are simple and natural. They correspond with one’s aspirations, the triumph of human will, and the realization that man’s mind is his greatest tool. It is thus omnipresent in the human imagination and it has been made conscious ever since man’s first walk out of the swamps of his ignorance. The application of this ideal, however, is fairly recent and symbolically represents a shift in the human mind; from one of negative dogmatism and intellectual chains to one of free-thought and beauty. It is in man’s liberation, emancipating him from the shackles of mental slavery, he will find his place in the natural order – one that maximizes the potentiality of his rational mind, humanizes his labour, and eliminates his alienation from the fruits he creates.

The intellectual origins of freedom date back to Enlightenment thought and the beginnings of modern scientific inquiry. It is of the Lockean concept that man in nature is in perfect freedom, and it is only when he accepts the social contract with the state he relinquishes such freedom. Therefore, we are bestowed certain self-evident inalienable rights that are given to us for simply being individuals and such that cannot be usurped by any sovereignty. These positive natural laws serve as a humanizing factor and divides humanity, philosophically, from being a mere lowly creature; that man is much more than simply some “object.” He is to be free from coercion, his life cherished, and his freedom preserved – for his mind is ever-growing, and that is must be protected for it exists and it is invaluable. It is from this axiom we postulate a corresponding society; a society that values such pure absolute liberty as static, never-changing, and unable to be forsaken – one that realizes that free association is the only proper mechanism in determining ethical relations in reaching a supposed outcome since it is the only such system that fosters a free society of independent peoples. It is from this our true emancipatory potential is reached, to its utmost extreme.

Paris Commune, 1871.

“The Death of Marat” by Jacques-Louis David.

Art is a complex phenomenon that has frequented philosophic circles since the days of Socrates. Scrambling to pinpoint a concise definition, thinkers have attempted to encapsulate objective meanings of aesthetics in an effort to fully understand what constitutes ‘beauty.’

The issue is that art has no distinguishable intrinsic value of its own; it as good as the audience deems it to be. Whether the audience is a group of commoners or a collection of art critics, works of artistic value have to substantiate their worth through harsh criticism — only thereafter falling into the category of real praiseworthy ‘art.’ This interpretation of art is valid in many respects, but it must also be realized that art must serve a function. It is certainly not purely subjective, since it derives its status from collective admiration, and it must portray an universally relevant idea, to capture the audience.

My goal here is not to differentiate between what is ‘art,’ and what is not, as that is an exercise in futility, and entertaining that point is relatively useless. Rather, the question should be phrased: “What constitutes good or proper works of art?”

“Want it? Enter” by Vladimir Mayakovsky.

The struggle for humanization involves articulating our consciousness, our fears and dispositions, into a medium that is accessible and unifying. This medium is art. Art should portray an ecumenical sentiment and should be a statement on the environment we inhabit. Rather than uselessly capture the banality of alienated industrial life, its function is to distance ourselves from mechanization and uniformity. It should introduce spontaneity, commentary, and subtle discontent where our own lives do not. Art should function as a medium in which we use to escape alienation. By association, this means that art is, by definition, antithetical to restraint and modern conditioning. It seeks to escape it, to realize human potentiality outside the bounds of current mechanisms. By need rather than choice, it must function outside these bounds because it expresses, by its very nature, an ideal. A work that is produced within the confines of modern production would hardly be revealing, since it would be restricted to only portraying feelings that are already realized. The struggle is to bring out conditions that elevate these sentiments, which requires working outside the confines of modern alienated labor and life, to highlight the potential of bettering our current condition and status. It is by this token, true ‘art’ is not conservative — it is, by necessity, progressive in its idealism and commentary. The Greeks, perhaps the first real admirers of beauty, understood this quite well, creating sculptures and paintings of the ‘perfect’ form and physique. They were attempting to capture an ideal distant of their own lives, and thus were in the tradition of real artistry.

However, there are social means that pervert and downgrade art and bring it back into the restrictive confines of bourgeois industrial life. Profit, as a general rule, distorts its true function. Art cannot act as an escape if it crafted within the model of mass-production. It loses its individuality, the heart of its meaning, if it is created in bulk by groups driven by monetary gain. It also loses its ability to depict anything outside the contemporary, becoming a self-congratulatory trivial blanket statement that praises the lifestyle it is a part of, rather than criticizing and dissociating itself from it. The problems of artistry is heavily intertwined with the general struggle of humanization. It is a core component of reflection. The function it assumes, and how well it communicates it, is what differentiates the good from the bad, the masterworks from the mediocre.  Serving as an escape from alienation, art takes on a crucial form in human development. Without it, out inner emotions would be bound to the present, with no way of articulating what we wish to become. It is in this way art is an important realization of what it means to be “human,” and a stimulus for progressive insight and change — be it in the mind or in action.

The beliefs of Western liberal society are at a fundamental crossroads. In one direction, lies secular humanism — at the other, lies ancient Judeo-Christian heritage and its supposed claim of relevance. Most individuals walk a very fine line between the two; holding onto the cultural implications of religion, while also not minding its declining involvement in government. Belief acts as a mediator which holds this delicate balance together.

Belief, in and of itself, is a obligatory view. It is a tenet you live your life by, and it has profound implications on your social psychology and the general organization of a civilization. It would be foolish to discredit the influence of religiosity in the West, in spirit and in practice. However, belief can function as a sort of ideological trapSimply put, acting on a belief is not equivalent to actually believing it. Philosopher Slavoj Zizek provides us with a story to illustrate this point, in which he tells us the tale of physicist Niels Bohr.

“A well-known anecdote about Niels Bohr illustrates the same idea. Surprised at seeing a horseshoe above the door of Bohr’s country house, a visiting scientist said he didn’t believe that horseshoes kept evil spirits out of the house, to which Bohr answered: ‘Neither do I; I have it there because I was told that it works just as well if one doesn’t believe in it!” [1] 

In an excellent passage, Zizek essentially explains the function of belief in modern society. Although individuals may personally not believe an ideology, they act as if they do because they take it others believe. In fear of reprisals, they then live as if the belief is theirs. But there is a twist: what if the other individuals do not believe it either? With this, an entire belief system is build upon the existence of non-belief among individuals. I take religion to be in this same stride, functioning as a belief in a sea of disillusioned disciples.

Such a statement is hardly revealing to the standard American Christian household. The father takes his son to Church, to educate his child on Christian values. The father, himself, was pressured to do so by his own parents. They would be disappointed if he raised his children without such a pretense. The father, himself, does not believe, but acts as if he believes to give a proper impression on his parents. The child lacks the belief also, but to not disappoint his father, he refuses to tell him. Instead, he acts as if he believes. Here, we have a situation of two non-believers, paradoxically imposing a belief on one another. Would it not be another twist of irony to say the father’s parents do not believe, just as the father and the son do not? This belief is likewise solidified, passed through familial relationships, and built upon a structure of non-belief — giving those trapped within this dilemma the illusion of a belief that is absent from the individual’s own choosing, being imposed on them by the technicalities of human relationships.

This is the death of God. The death of God is not external invasion unto the Christian church hierarchy. It is not an attack from outside the prayer circles — it is within them. It is when God as an entity becomes irrelevant to the actual substance of belief, being replaced by a complex foundation of non-belief. In Europe, trends of non-belief are stronger than in the United States. According to surveys by the Financial Times/Harris Poll, only 27% of individuals living in France truthfully believe in a Christian God or Supreme deity. This is contrasted with 73% of those in the United States [2]. Bearing in mind the different histories of European and American ancestry, I take it that such a large disparity between religiosity is largely due to the culture of the United States. Religious disbelief is looked down upon, even persecuted, in American media and society — denigrated in excessively negative terms. The question is, how many of the religious belief structures in the United States are founded on fear of consequences? Potentially, very many, I would say.

However, the implications extend further than Zizek’s story on ideology. Equally important are those that believe (for cultural reasons generally), but live their lives as if they do not. Done through ritualistic ends, their religious ideology becomes a routine rather than a philosophy of action. For many Western Christians, this is the reality. They find themselves lofting to church on some Sundays, and then vehemently arguing over whether we should say “Merry Christmas” during the holidays, and fighting to preserve prayer before football games [3]. The extent of Christian ideology in American culture has largely become a gimmick of cultural preservation more than anything else, serving as the last backlash of a decaying social phenomenon.

Christian ideology makes many universal claims. It promotes objective truth and meaning, a belief system that is dogmatic and said to be true by its disciples. They have this bastion of knowledge, the key to God’s judgement and mercy, that is said to be the absolute truth. And yet they live their lives as if this is hidden, only resurrecting (excuse the pun) it when socially beneficial. If an individual held such truth of the universe, would they not devote their entire lives if they believed so strongly it was true, rather than bickering over trivialities on cable television? The charade of these religious charlatans defending “Judeo-Christian America” is a testament to the hypocrisy of the ideology in the hearts of those that follow it. True belief would not frequent itself in discussions on media sensationalism, in an attempt to keep what always has been in American society; it would prepare, and act, in the interests of God and rely on his judgements. Perhaps if they took God’s objective truth to its fullest conclusion, they would sit and pray rather than rely on themselves. If they are so convinced of their beliefs, they would be equally be convinced God would give them a hand.

The death of God does not involve the elimination of religion, nor does it involve the tearing down of religious institutions. It involves the hollowing out of religion by its believers. It makes God into a centerpiece of disbelief, propped by complex interlocked relationships and cultural enforcement. A belief propped by non-belief, it finds itself as the comfort to those that fear the destruction of their religious and cultural identity. It finds itself as the poster-child of reactionary backlash, the broken center of the exaggerated dichotomy of secularism and religiosity, and the illusionary opponent of civil institutions by religious disciples that lack the belief themselves. During the height of Catholic ascendancy, the belief was not so fractured. Prayer was seen as a powerful tool; the Devil was a real distinguishable threat. We have long abandoned such views, despite what is heard in Evangelical circles (I can assure you there would be little hesitation for them to take human action over prayer if their own lives were in peril). Let’s be frank, God is dead –The emperor has no clothes on, we are looking straight at him, but we are too naive to admit it.

Work is difficult to define. In the modern mindset, it has become synonymous with economic productivity — a primary cornerstone to progressing society: a kind of necessary evil.

Fundamentally, however, work does not implicitly have a negative connotation. Contrary to its function in today’s modern context, work is not objectively a burden nor a pleasure; It simply is. Work is indeed a necessity, that much is true, but must work be pursued and viewed as solely a negative aspect of one’s lifestyle and be downgraded to the point of dissatisfaction, hatred, and dissuasion? Yugoslav Marxist-humanist Mihailo Marković, in his philosophical work titled “From Affluence to Praxis” addresses this dilemma:

“Work is a neutral concept. It refers to an activity which is a necessary condition of human survival and development in any type of society” [65].

The indispensable nature of “work” is crucial to the praxis of Marxism. The elimination of the “free rider” issue is a paramount dilemma, and has to be properly discussed before goods are allocated accordingly. Specifically speaking, this requires a clear correlation between work done and goods received to be able to function fairly; however, the proper criteria and definition of work must be defined for such concepts to be handled.

The initial question that must be answered is — what is work, and how is it different from labor? Marković makes a stark distinction:

“In labor the worker uses only those abilities and skills which he can sell, which are needed in the process of commodity production… [Work] is the permanent exchange of matter with nature” [63].

“[Work] is the self-realization and satisfaction of human needs… [labor] might be maximization of income, or increase of power” [66].

Perhaps most importantly, work is a natural concept. It is not, by nature, exploitative nor negative. Only in the current mechanisms of the market, is “work” (better said as labor) defined by its productive forces — by its potential to produce more capital and profit. Realistically speaking, virtually all action that progresses the social being is work once this chained view of labor is broken. Leisure, which is seen as an valueless in economic terms, is indeed a form of work. It is used as an outlet to break from the routine of labor that is a commonplace in today’s age of modernity; an attempt to free oneself from the objectification of what he does.

The largest obstacle to the realization of pure work, the fullest self-realization and satisfaction of human needs, is the alienating nature of today’s labor. Marković defines it quite well:

“Alienated labor is the activity in the process of which man fails to be what he is, that is, fails to actualize his potential capacities and to satisfy his basic needs. Marx distinguished the following four dimensions of this type of alienation: (a) One loses control over produced commodities. The blind forces of market enslave man isnterad of being ruled by him. (b) In his struggle for more property and power man becomes estranged from his fellow man. Exploitation, envy, mistrust, competition, and conflict cominuate relationships among individuals. (c) Instead of employing his capacities in creative, stimulating work, man becomes an appendage of the machine, a iving tool, a mere object. (d) As no opportunity has been offered to him to fulfill his potential abilities, to develop and satisfy various higher-level needs, his whole life remains poor, one-sided, animal-like, his existence remains far below the real possibilities of his being” [63]. 

Although poetic in its definition, it is fundamentally true. Is it not human to become more inclined to work, if one feels involved in the final product? Is one not more inclined to work if he feels it is necessary for the community, which he has clearly learned, through praxis, that it likewise benefits him as well? The struggle, then, is to liberate work from being a status of wealth and power. Rather, it should be seen as a necessity for human conditioning and improvement. “Work” is not simply a commodity to be used and exhausted, to be stripped of creative spirit; it is has definite aesthetic qualities. If one realizes the beauty in work, the individual is more inclined to work to reach the means that was once outside its productive sphere. Work would develop beyond being a collection of one-sided mundane tasks for indefinite periods of time; it would serve as a necessary form of expression of one’s abilities and talents.

***
Labor’s Struggle for Supremacy by Eugene V Debs.
The Right to be Lazy by Paul Lafargue
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